Tony Scott
Clarinet, Alto Saxophone, Bass Clarinet
Label | Issue | Format | Artist | Title |
---|---|---|---|---|
Affinity | AFF97 | LP | Various Artists | I hear Music |
Bethlehem | BCP10 | - | Milt Hinton | East Coast Jazz, Volume 5 |
- | BCP82 | - | Various Artists | Bethlehem's Best, Volume 1 |
- | BCP1020 | - | Milt Hinton | Milt Hinton |
- | BCP1023 | - | Carmen McRae | Carmen McRae |
- | BEP119 | EP | Milt Hinton | |
- | EXLP6 | - | ||
- | LPDX6 | - | - | - |
Bethlehem New Series | BCP6004 | LP | Carmen McRae | The Finest of Carmen McRae - You'd be so easy to love |
De Luxe | 1011 | single | Kirby Walker | When my love comes tumbling down / She ain't not saint |
- | 1031 | - | - | Roll me over / Just another woman |
- | 3011 | - | - | When my love comes tumbling down / She ain't not saint |
- | 3031 | - | - | Roll me over / Just another woman |
Gotham | 104 | |||
- | 111 | - | - | - |
- | 120 | - | - | - |
- | 501 | - | - | - |
Gusto | G5010-X | - | - | - |
King | 4174 | single | Earl Bostic | That's the groovy thing, pt.1 / That's the groovy thing, pt.2 |
- | 4186 | - | Cousin Joe | You ain't so such a much / Little Eva |
- | 4246 | - | Brother Joshua | When the roll be called in heaven / Make me as strong as Samson |
Leader | Site | Date | Session | Role |
---|---|---|---|---|
Benny Carter and his Orchestra | New York, NY | January 7, 1946 | [session] | clarinet, alto saxophone |
- | - | January 8, 1946 | [session] | - |
Brother Joshua with Earl Bostic's Orchestra | - | August, 1946 | [session] | clarinet |
Carmen McRae | - | December, 1954 | [session] | - |
Cousin Joe with Earl Bostic Sextet | - | February, 1946 | [session] | - |
Earl Bostic | - | March, 1946 | [session] | - |
- | - | July, 1946 | [session] | - |
Kirby Walker | - | February, 1946 | [session] | - |
Milt Hinton Quartet | - | January 20, 1955 | [session] | clarinet, bass clarinet |
Tony Scott (born Anthony Joseph Sciacca June 17, 1921 – March 28, 2007) was an American jazz clarinetist and arranger known for an interest in folk music around the world. For most of his career he was held in high esteem in new-age music circles because of his decades-long involvement in music linked to Asian cultures and to meditation. Wikipedia