Dick Katz
Piano
Label | Issue | Format | Artist | Title |
---|---|---|---|---|
Affinity | AFF97 | LP | Various Artists | I hear Music |
Bethlehem | 11030 | single | Kai Winding & J.J. Johnson | Stolen bass / Out of this world / Out of this world / Stolen bass |
- | 11031 | - | - | Thou swell / Going rock / Thou swell / Gong rock |
- | 11070 | - | J.J. Johnson & Kai Winding | Yes Sir, that's my baby / Mad about the boy / Yes Sir, that's my baby / Mad about the boy |
- | BCP5 | LP | Ruby Braff | |
- | BCP10 | - | Milt Hinton | East Coast Jazz, Volume 5 |
- | BCP66 | - | Osie Johnson | The Happy Jazz of Johnson |
- | BCP82 | - | Various Artists | Bethlehem's Best, Volume 1 |
- | BCP83 | - | - | Bethlehem's Best, Volume 2 |
- | BCP85 | - | - | Nothing Cheesy About This Jazz |
- | BCP88 | - | - | Jazz Music for People who don't care about Money |
- | BCP1020 | - | Milt Hinton | Milt Hinton |
- | BCP1023 | - | Carmen McRae | Carmen McRae |
- | BCP1034 | - | Ruby Braff | Ball at Bethlehem |
- | BCP6001 | - | K + J.J. | K + J.J. |
- | BCP6036 | - | Various Artists | Trombone Band Stand |
- | BCP6065 | - | - | Golden Jazz Instrumentals |
- | BEP115 | EP | Kai Winding & J.J. Johnson | |
- | BEP116 | - | - | - |
- | BEP119 | - | Milt Hinton | - |
- | EXLP6 | - | ||
- | LPDX6 | - | - | - |
- | LPX3 | - | - | - |
Bethlehem New Series | BCP6004 | LP | Carmen McRae | The Finest of Carmen McRae - You'd be so easy to love |
Jazztone | J1234 | |||
King | LP1009 | LP | Osie Johnson | The Happy Jazz of Osie Johnson |
London | EZ-N19014 | EP | Kai Winding - J.J. Johnson Quintet | East Coast Jazz |
Period | SLP302 | |||
- | SLP304 | - | - | - |
- | SLP1108 | - | - | - |
- | SLP1112 | - | - | - |
Rep | LP204 | - | - | - |
Leader | Site | Date | Session | Role |
---|---|---|---|---|
Carmen McRae | New York, NY | December, 1954 | [session] | piano |
Kai Winding & J.J. Johnson | - | January 26, 1955 | [session] | - |
- | - | January 27, 1955 | [session] | - |
Milt Hinton Quartet | - | January 20, 1955 | [session] | - |
Osie Johnson | - | February, 1955 | [session] | - |
- | - | - | [session] | - |
Ruby Braff Sextet | - | December 31, 1954 | [session] | - |
Richard Aaron Katz (March 13, 1924 – November 10, 2009) was an American jazz pianist, arranger and record producer. He freelanced throughout much of his career, and worked in a number of ensembles. He co-founded Milestone Records in 1966 with Orrin Keepnews.
He studied at the Peabody Institute, the Manhattan School of Music, and Juilliard. He also took piano lessons from Teddy Wilson. In the 1950s, he joined the house rhythm section of the Café Bohemia, and worked in the groups of Ben Webster and Kenny Dorham, Oscar Pettiford, and, later, Carmen McRae. From 1954 to 1955, he was part of the J. J. Johnson/Kai Winding Quintet. He also worked in Orchestra USA and participated on Benny Carter's Further Definitions album, and worked on some of Helen Merrill's recordings. In the late 1960s, he played with Roy Eldridge and Lee Konitz. In the 1990s, he worked as a pianist and arranger with the American Jazz Orchestra and Loren Schoenberg's big band.
Will Friedwald called Katz "a keyboardist of uncommon sensitivity and harmonic acumen." He was the favorite pianist of Benny Carter and Coleman Hawkins, as well as vocalists Carmen McRae and Helen Merrill. Wikipedia