Label | Issue | Format | Artist | Title |
---|---|---|---|---|
Federal | 12062 | single | Dorothy Ellis | Slowly going out of my mind / He's gone |
- | 12063 | - | Little Esther | Summertime / The storm |
- | 12065 | - | - | I'll be there / Better beware |
- | 12070 | - | Dorothy Ellis | Drill Daddy, drill / Must go out to play |
- | 12078 | - | Little Esther | Bring my lovin' back to me / Aged and mellow |
- | 12090 | - | - | Somebody new / Ramblin' blues |
- | 12344 | - | - | Heart to heart / I paid my dues |
King | LP622 | LP | - | Melody Lane |
Vogue | V3186 | single | - | Summertime / The storm |
- | V3219 | - | - | Ring-a-ding-doo / Ramblin' blues |
Leader | Site | Date | Session | Role |
---|---|---|---|---|
Dorothy Ellis | Los Angeles, CA | January 16, 1952 | [session] | tenor saxophone |
Little Esther and her Orchestra | - | January 4, 1952 | [session] | - |
- | - | January 16, 1952 | [session] | - |
Song | Label | Master | Leader | Site | Date | Session |
---|---|---|---|---|---|---|
Aged and mellow | Federal | F228 | Little Esther and her Orchestra | Los Angeles, CA | January 16, 1952 | [session] |
Better beware | - | F217 | - | - | January 4, 1952 | [session] |
Bring my lovin' back to me | - | F219 | - | - | - | - |
Drill Daddy, drill | - | F234 | Dorothy Ellis | - | January 16, 1952 | [session] |
He's gone | - | F233 | - | - | - | - |
Hold me | - | F216 | Little Esther and her Orchestra | - | January 4, 1952 | [session] |
I paid my dues | - | F229 | - | - | January 16, 1952 | [session] |
Must go out to play | - | F235 | Dorothy Ellis | - | - | [session] |
Ramblin' blues | - | F230 | Little Esther and her Orchestra | - | - | [session] |
Slowly going out of my mind | - | F232 | Dorothy Ellis | - | - | [session] |
Somebody new | - | F218 | Little Esther and her Orchestra | - | January 4, 1952 | [session] |
The storm | - | F231 | - | - | January 16, 1952 | [session] |
Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist. He is considered one of the three most important "swing tenors" along with Coleman Hawkins and Lester Young. Known affectionately as "The Brute" or "Frog", he had a tough, raspy, and brutal tone on stomps (with growls), yet on ballads he played with warmth and sentiment. He was indebted to alto saxophonist Johnny Hodges, who, he said, taught him to play his instrument. Wikipedia