Herbie Mann
Flute, Tenor Saxophone, Saxes
Redirected from 'Mann-Most Quintet'.Label | Issue | Format | Artist | Title |
---|---|---|---|---|
Affinity | AFF97 | LP | Various Artists | I hear Music |
- | AFF122 | - | Chris Connor | Out of this World |
Bethlehem | 3040 | single | Herbie Mann | My little suede shoes / Chicken little / My little suede shoes / Chicken little |
- | 11005 | - | Chris Connor | Come back to Sorrento / Blame it on my youth / Come back to Sorrento / Blame it on my youth |
- | 11009 | - | Carmen McRae | If I'm lucky / Tip toe gently / Tip toe gently / If I'm lucky |
- | 11012 | - | Chris Connor | It's alright with me / All this and heaven too / It's ail right with me / All this and heaven too |
- | 11036 | - | Herbie Mann | Jasmine / Love is a simple thing / Love is a simple thing / Jasmine |
- | 11037 | - | - | Sorri-Mao / The surrey with the fringe on top / The surrey with the fringe on top / Sorri-Mao |
- | 11038 | - | - | Cuban love song / Scuffles / Cuban love song / Scuffles |
- | BCP20 | LP | Chris Connor | This is Chris |
- | BCP24 | - | Herbie Mann Quartet | Herbie Mann Quartet, Volume 2 - Flamingo |
- | BCP40 | - | Herbie Mann | Sam Most Quintet |
- | BCP47 | - | Terry Morel | Songs of a Woman in Love |
- | BCP56 | - | Chris Connor | Chris |
- | BCP58 | - | Herbie Mann | Plays Chicken Little |
- | BCP61 | - | Howard McGhee | Life is just a bowl of Cherries |
- | BCP62 | - | Frances Faye | Relaxin' with Frances Faye |
- | BCP63 | - | Herbie Mann | Love and the Weather |
- | BCP84 | - | Various Artists | Bethlehem's Best, Volume 3 |
- | BCP85 | - | - | Nothing Cheesy About This Jazz |
- | BCP86 | - | - | We Cut This Album for Bread |
- | BCP87 | - | - | Double-Barrel Jazz |
- | BCP88 | - | - | Jazz Music for People who don't care about Money |
- | BCP89 | - | - | We've Built a Jazz Album for You |
- | BCP92 | - | - | No Sour Grapes, just Pure Jazz |
- | BCP1018 | - | Herbie Mann Quartet | Herbie Mann Quartet |
- | BCP1023 | - | Carmen McRae | Carmen McRae |
- | BCP6006 | - | Various Artists | Bethlehem's Girl Friends |
- | BCP6067 | - | Herbie Mann | The Epitome of Jazz |
- | BEP125 | EP | - | |
- | BEP126 | - | Chris Connor | - |
- | BEP127 | - | - | - |
- | BEP128 | - | Herbie Mann | - |
- | BEP129 | - | Chris Connor | - |
- | BEP130 | - | - | - |
Bethlehem New Series | 2BP-1001 | LP | - | The Finest of Chris Connor |
- | BCP6004 | - | Carmen McRae | The Finest of Carmen McRae - You'd be so easy to love |
- | BCP6011 | - | Herbie Mann | |
- | BCP6020 | - | - | The Mann with the Most |
London | EZ-N19016 | |||
- | HB-N1074 | LP | Chris Connor | - |
- | RE-N1093 | EP | - | London's Girl Friends, No.2 |
- | RE-N1094 | - | Carmen McRae | London's Girl Friends, No.3 |
Parlophone | GEP8748 | - | Frances Faye | Relaxin' with Frances Faye |
- | GEP8767 | - | Chris Connor | Chris Connor meets Jay and Kai |
- | GEP8778 | - | - | This is Chris |
Leader | Site | Date | Session | Role |
---|---|---|---|---|
Carmen McRae | New York, NY | October 6, 1954 | [session] | flute, tenor saxophone |
Chris Connor | - | April, 1955 | [session] | - |
- | - | - | [session] | - |
Frances Faye | - | March, 1956 | [session] | tenor saxophone, flute |
Herbie Mann | Unknown Location | Unknown Date | [session] | |
- | - | - | [session] | - |
- | New York, NY | March, 1956 | [session] | flute |
- | - | - | [session] | - |
Herbie Mann Quartet | - | December, 1954 | [session] | - |
- | - | June, 1955 | [session] | flute, tenor saxophone |
- | - | 1956 | [session] | flute |
Howard McGhee | - | February 14, 1956 | [session] | saxes |
Mann-Most Quintet | - | October 12, 1955 | [session] | flute |
Porgy and Bess | - | 1957 | [session] | - |
Terry Morel | Montclair Supper Club, Jackson Heights, Long Island, NY | late 1955 | [session] | - |
Artist | Leader | Site | Date | Session |
---|---|---|---|---|
No data available in table |
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flutist and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hijack", which was a Billboard No. 1 dance hit for three weeks in 1975.
Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was Memphis Underground or Push Push, because the "rhythm section locked all in one perception." Wikipedia