Leroy Vinnegar
Bass
| Label | Issue | Format | Artist | Title |
|---|---|---|---|---|
| Bethlehem | 11024 | single | Conte Candoli | Four / I'm getting sentimental over you / I'm gettin' sentimental over you / Four |
| - | 11025 | - | Dexter Gordon | Number four / Darn that dream / Number four / Darn that dream |
| - | 11026 | - | - | Confirmation / Confirmation, pt.1 / Confirmation, pt.2 |
| - | 11033 | - | Stan Levey Sextet | Hit that thing / Why do I love you / Why do I love you / Hit that thing |
| - | 11085 | - | Dexter Gordon | Autumn in New York / Autumn in New York, pt.1 / Autumn in New York, pt.2 |
| - | BCP30 | LP | Conte Candoli | Toots Sweet |
| - | BCP31 | - | Stu Williamson | Stu Williamson plays |
| - | BCP36 | - | Dexter Gordon | Daddy plays the Horn |
| - | BCP37 | - | Stan Levey | This Time the Dream's on me |
| - | BCP55 | - | Stu Williamson | Pee Jay |
| - | BCP71 | - | Stan Levey's Sextet | Grand Stan |
| - | BCP88 | - | Various Artists | Jazz Music for People who don't care about Money |
| - | BCP89 | - | - | We've Built a Jazz Album for You |
| - | BCP92 | - | - | No Sour Grapes, just Pure Jazz |
| - | BCP6038 | - | - | Bluesville |
| Parlophone | GEP8798 | EP | Conte Candoli | |
| Rep | LP207 | - |
| Leader | Site | Date | Session | Role |
|---|---|---|---|---|
| Conte Candoli Quintet | Los Angeles, CA | July 26, 1955 | [session] | bass |
| Dexter Gordon Quartet | - | September 18, 1955 | [session] | - |
| Stan Levey Sextet | - | September 27, 1955 | [session] | - |
| - | - | November, 1956 | [session] | - |
| Stu Williamson | - | January 20, 1956 | [session] | - |
| Stu Williamson Group | - | January 13, 1956 | [session] | - |
Leroy Vinnegar (July 13, 1928 – August 3, 1999) was an American jazz bassist. Born in Indianapolis, the self-taught Vinnegar established his reputation in Los Angeles during the 1950s and 1960s. His trademark was the rhythmic "walking" bass line, a steady series of ascending or descending notes, and it brought him the nickname "The Walker". Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison's 1972 album, Saint Dominic's Preview. Wikipedia